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considered one of the best affecting architects and designers of the twentieth century, over the advance of his fifty-year career, the backward gio ponti, who died in 1979, would appear to be accepted as the ancestor of avant-garde italian design. responsible for works including milan’s iconic pirelli tower, an aerodynamic coffee apparatus for pavoni, maharam fabrics and the leggera armchair for cassina, his advanced alignment anatomy of assignment reflects on his action as a renaissance man, a polymath, and a multi-hyphenate.

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gio ponti and giulia ponti, via dezza, 1957 © gio ponti archives

his amazing abounding assignment is accustomed all over the apple as allegorical of democratic, avant-garde and adult italian design. not alone did he appearance the architectonics of the era but he additionally exported it to new world’s, demography new italian architectonics appearance to venezuela, the USA, and hong kong. now, a new retrospective entitled tutto ponti, at the musée des arts décoratifs in paris – ponti’s aboriginal in france, introduces the allegorical italian bulk to french and all-embracing audiences.

MAD, 2018, paris, expositionlarge boutonniere ‘women on clouds’, 1923 (conceived), 1924-1925 (executed), maiolica corrective connected bluephoto by luc boegly

in 1956, gio ponti completed his better project, the pirelli belfry in milan, the tallest architectonics in europe and a attribute of how far the country had appear in its about-face afterwards the war. today it still stands as a first-rate archetype of modernist architectonics and an figure of italy’s arctic metropolis. ponti revolutionized post-war architectonics but he had already amorphous abrogation his mark in the decades prior. from the alpha of the 1920’s until 1938 he formed with richard-ginori branch and renewed its production, and by 1925 he was designing and architectonics his ‘domuses’, or ‘typical houses’, in milan.

a alternative of works by gio ponti for richard-ginori including coil basin (1926), porcelain, and the witch’s hand, 1935 (conceived and executed), ceramics hand-painted with gold, categorical with an agate tip.

photo by luc boegly

more than aloof the abundant architectural works realised during his lifetime, gio ponti created a all-inclusive bulk of assignment in the appliance sector. lamps, tables, cabinets, rugs, and blown-glass chandeliers, some of which accept aback been re-issued by italian manufacturer—and exhibition sponsor—molteni&c. lightness, transparence, clarity, blush and simplicity: these are the key words that call the affluence of action advancing out of his address in milan during the 1950s – a actual artistic laboratory. he advised abundant altar and appliance pieces at this time, including the distex armchair for cassina (reissued aback 2012 by molteni&c) and his beaming agreement for lumi. in 1957, the armchair superleggera (a alternative of the leggera), one of the lightest in the world, became the figure of his appliance designs.

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MAD exhibition view, 2018, paris, expositionimage © designboom

the 20th-century italian architect-designer-painter-journalist was the aboriginal italian artist to appoint the attainable by penning attainable accessories in the newspapers, which he followed up with an affordable band of appliance with simple curve for italian administration stores. his access with the movement labirinto which aggregate designers and manufacturers added activated his autonomous access to design, enabling him to advance his account and advance new talents through exhibitions that he organized at the monza biennial. he was a above advocate for the ‘made in italy’ movement, announcement it through the account domus, which he founded in 1928. the announcement ‘from the beanery to the city’, attributed to the italian artist ernesto nathan rogers (1909-1969) in advertence to gio ponti, is the absolute apotheosis of his legacy, with projects alignment from the always baby to the always large. 

MAD exhibition view, 2018, paris, expositionimage © designboom

with an exhibition architectonics by wilmotte & associés in accord with the clear artist italo lupi, the attendant displays about 400 works of gio ponti archetype his altered success adventure from 1921 — aback the milan polytechnic alum set up his own architectonics close — appropriate up to 1978. to board such a all-inclusive anatomy of work the abreast architectonics galleries accept been broadcast the amplitude to 2,100 aboveboard meters, acceptance over 1,000 works to be displayed, some which accept never been apparent before. supervised by olivier gabet, architectonics administrator and arch babysitter of the exhibition, the face-lifting was realised in conjunction with the architectonics and architectural close accustomed flat who were accurate by the assorted departments of the museum.

la cornuta coffee apparatus for for pavoni (1948)

photo by luc boegly

the exhibition is presented in the museum’s capital hall, alternate by bristles sections anniversary one featuring above commissions, furniture, lighting and textiles, as able-bodied as architectural projects abundant chronologically through drawings, models, photographs and films from the period. meanwhile the garden- ancillary arcade explores the collaborations that he undertook with above art-object manufacturers such as richard ginori, christo e and fontana arte, as able-bodied as with artisans and abate companies. the final allotment of the exhibition is a about-face of six altered rooms emphasizing the all-around aspect of his work: l’ange active in the parisian aera, the montecatini architectonics in milan, the palazzo bo – padua university, the designer’s own home on the via dezza in milan, the autogenous of the parco dei principi auberge in sorrento and nally the alcazar planchart in caracas.

la cornuta coffee apparatus for for pavoni (1948)

© gio ponti archives, milan

filled with photography, mockups, and loans they highlight abundant aspects of his assignment from architectonics to automated design, from appliance to lighting, the conception of journals and his aggression into the fields of glassware, ceramics and metalwork. they are aeon accommodation with abounding of the important pieces in the exhibition displayed aural them. a bank of bowl dust advised by ponti and created by sculptor fausto melotti, frame original appliance from the hotel, sitting upon a attic busy with one of the abreast 30 dejected and white bowl tiles created for the parco dei principi auberge amid 1960 and 1962. salerno-based architect ceramica francesco de maio has aback acquired an absolute licence to carbon the tiles which accept been brought aback into production.

selection of domus covers 1928 – 1974

image © designboom

a bank covered in active domus covers detail ponti’s time at the magazine’s helm. to mark the break domus has fabricated accessible over forty covers taken from its annal which will be appear in the celebrated archive of the exhibition, with a argument by domus archivist cristina moro.

arm chairs for molenti&C photo by luc boegly

the exhibition additionally touches on a added affectionate ancillary of the 20th aeon hyphenate, who affiliated giulia vimercati in 1921 with whom he had four children: lisa, giovanna, letizia and giulio. a painting of the ancestors hangs in one allowance replicating ponti’s abode in milan’s via dezza, his home in after years. the accommodation comprises the angle of an uninterrupted, connected accessible plan, able by a compatible amplitude flooring, clad in bowl tiles with askew stripes. it encapsulates the architect’s eyes of avant-garde apartment calm with its architectural innovations. elsewhere a bank covered in a affected alternation of anapestic belletrist blithely fatigued on with markers and pens acknowledge letters amid ponti and his family, accompany and colleagues. 

tutto ponti is on through february 10, 2019.

MAD exhibition view, 2018, paris, expositionphoto by luc boegly

MAD exhibition view, 2018, paris, expositionphoto by luc boegly

active room, alcazar planchart, caracas — 1953-57© antoine baralhé caracas,anala and armando planchart foundation

double-height active room, alcazar planchart — caracas1953-57© antoine baralhé

MAD exhibition view, 2018, paris, expositionphoto by luc boegly

MAD exhibition view, 2018, paris, expositionimage © designboom

MAD exhibition view, 2018, paris, expositionphoto by luc boegly

MAD exhibition view, 2018, paris, expositionphoto by luc boegly

MAD exhibition view, 2018, paris, expositionimage © designboom

© gio ponti archives

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